Wednesday, 15 October 2025

Short fiction: Remembered Time

The past is a dangerous place

“The tape turned my bowels to water,” said Peter.

Jake had been at the window, looking out at the glass-and-steel canyons of Docklands. He turned towards Peter, noting how boring lawyers look when not in court. “What?” he said.

“I think you’d better see it.”

“Don’t be a drama queen,” said Jake.

“I’m not,” said Peter. “I’m a legal advisor to this newspaper. And I think you should see the tape.”

David Iliff/Creative Commons

Something in his voice gave Jake pause. “All right,” he said at length. “Tell Michelle to set it up. But bugger off for now, I need to see tomorrow’s feature layouts.”

Peter turned to go. He paused in the doorway.

“What,” said Jake again.

“I do not think you understand the gravity of the situation,” said Peter. “Stella’s husband may sue.”

“Good. Think of the column inches,” said Jake.

The other shrugged and went off across the newsroom. He was ignored by the subs, who were in the white heat of their day – that time in the late afternoon when all the copy must be made ready so the layout people can start casting off and asking for a cut here, a subhead there.  

Jake looked at his desk. It should be clear now, ready for the first mock-ups of tomorrow’s Daily Morning News front page. But there were several large sheets on it, mostly pen-and-ink drawings of a caricature weasel. The weasel was accompanied in some frames by a stoat and an otter. Across one was scrawled: Proposed comic strip. Mike and the Mustelids. They were a submission from some art-school hopeful.  The art director had brought them in for Jake’s opinion (which was brief and clear) and then neglected to take them away. He sighed. “Michelle,” he yelled. His assistant swayed in on six-inch heels. “Michelle, get these back to Derek, would you. He’d forget his balls if they weren’t in a bag.”

“Yes Jake,” she replied. “Is ten tomorrow OK for the tape viewing?”

“I suppose so.”

“Who’d you want there? Peter says it’s sort of sensitive.”

“Who did Pete say?”

“Him. And William Bristow.”

“What, Bill the Brief? In person?” Bristow was a barrister. “That’s a bit heavy. No-one else?”

“Peter says it’s all a bit grave and we don’t want gossip, like.” She looked at her phone. ”He wants one other person in on it, says you’ll need their advice. Dr Amery.”

“Who’s Dr Amery when he’s at home?”

“She’s a clinical psychologist,” said Michelle.

“Oh,” he said. He was about to ask why the Daily Morning News needed a clinical psychologist but not for the first time that day, a voice inside told him to shut up. He watched Michelle, not without pleasure, as she swayed out of his office. Then he noticed the latest edition of Private Eye, no longer masked by mustelids. It was folded back at the Street of Shame column.

The Daily Moron News has a problem. Where’s its star columnist, Saucy Stella the Fleet Street Slag? (Or Stella Boggs, to use her proper name.) Her column’s been absent for three weeks now. Moron insiders say something’s gone very wrong. Saucy Stell went off to the backwoods of Birmingham to write an exposé of alleged fraudulent hypnotherapist Arnold Merriweather. It’s a change from her usual headlines. Workshy scroungers! Benefits! Palestinian victimhood! Woke councils! All grist to her mill. Trouble is, she’s now in hospital, gabbling incoherently [what’s new – Ed.]. The sinister Merriweather put her under then stole her sooooul…

He tossed Private Eye back on his desk. “We’ll sue the buggers,” he muttered, but something felt wrong.

He swivelled back towards the window. I do miss Fleet Street, he thought, remembering his visits as a spotty teenager fifty years ago, watching his compositor father work the Linotype machine, the slugs cast in the hot metal, the clatter of the keyboards, the men assembling the formes and finding themselves a word over and yelling for a sub to come and edit on the stone. Then off for a pint in the cool plain upper room of the Printer’s Devil in Fetter Lane, gone now, torn down years ago to make way for some plastic palace. And a walk later to the Embankment, across Fleet Street, past El Vino, which would be heaving with barristers and journalists; and down Bouverie Street, seeing the lorries drawn up with the huge bales of newsprint that were hauled up by ropes on beams that stuck out across the road and worked in through the huge doors way above the street.

Colin Smith/Creative Commons

All gone now. But we haven’t changed, thought Jake. All the news that’s unfit to print and sue us if you dare.

*

“Actually a few people are after this hypnotherapist chap,” said Peter.

“Arnold Merriweather?” said Jake. “Yes, I believe so. That’s why I sent Stella to look into him.”

“From now on say it was her own idea,” said Peter. “It might be safer if we go to court.”

They were seated round the table at one end of Jake’s large office. At the other end of the room was a 65-inch TV mounted on the wall. There were several others on the other walls though not on Jake’s desk. There was little else in the office. (“Would you like bookcases?” Michelle had asked when it was fitted out. “What for?” he had asked, puzzled.) The sole adornments were facsimiles of some of his favourite front pages and a picture of Jake with the proprietor and his wife. The latter had, at the time, just had her boobs done and the sun cast shadows in her cleavage like the Grand Canyon at dawn.

“There are a couple of cases.” Bill the Brief shifted in his seat. He was a lengthy cadaverous figure in his 60s with a hawk-like beak of a nose and bushy eyebrows. Jake couldn’t look at him without the urge to say “M’Lud” and stick his thumbs in his lapels. “A Midland cleaning contractor is suing him.”

“That’s that Featherstone bloke, isn’t it,” said Jake. “Wasn’t he in dispute with his workforce or something?”

“The union were after him,” said Bill the Brief. “They said his cleaners were working 60-70 hours a week. The law says 48 hours. Featherstone said they’d all opted out of the limit, which is legal but voluntary and he was denying shifts to guys who wouldn’t opt out. Someone grassed him up to the union.”

“Seems he was underpaying people as well,” said Peter. “Entering them on the books as apprentices so he didn’t have to pay the full minimum wage. Some of ’em were asylum seekers without permission to work.”

“Oh, and there were a couple who got sick from the cleaning fluids,” said Bill the Brief. “Mixing ammonia-based cleaners with bleach, apparently. And descaling agents. The union alleged breathing problems, chemical burns and other fun things. He claims the victims weren’t working for him. The union says they were.”

“What a nice chap,” said Jake. “Can’t see as that’s got anything to do with this hypnotherapy business though.”

“His daughter bought him a hypnotherapy session with Merriweather for Christmas,” said Peter. “She thought it could help him give up smoking. Apparently Merriweather regressed him to the 1840s and he found himself working in a coal mine as a 12-year-old, which distressed him greatly. He has decided to sue.”

He picked up a piece of paper. “This is a transcript of the session supplied in evidence. Featherstone is talking under hypnosis – Merriweather prompted him with questions now and then but we’ve edited that out for clarity.

“My name is Percy Armstrong and I am 12 years old. I have worked in the pit since I was about six, first as a trapper but now I be a hurrier. We pull the corves from the face where the hewers cut the coal. There is a leather belt around my waist, gurl belt we calls it and a chain goes back to the corve and sometimes a girl behind pushes, thrusters we call them. The passage is low so she’ll push with her head. It hurts my knees to crawl through it, it is so low. You ask the weight of the corves, well I don’t rightly know but they say two hundred pounds maybe.”


Peter looked up from his paper. “At length Featherstone became very distressed. It seems he ‘remembered’ being badly burned when a candle ignited some fire-damp and then ‘remembered’ dying in great pain not long afterwards. We have tried to check this but parish records are often incomplete, and we can’t be sure of the exact date or location.”

“You’re not suggesting that the man was really remembering a past life, are you?” said Jake. “How would he have any case against Merriweather?”

“They’ll argue that it’s a case of cryptomnesia,” said Peter. “That’s when someone sees something that appears real under hypnosis but has actually read or seen it somewhere in real life and has forgotten it. In the case of Featherstone, much detail on child labour in the mines was collected as testimony to a Royal Commission chaired by the Earl of Shaftesbury in 1842. It may be that Featherstone had seen this, perhaps at school. If the regression sparked an episode of cryptomnesia and distressed the subject, it may be that Merriweather should not have regressed him.”

“Jesus,” said Jake. “Is there anything in this hypnotherapy lark, or is it all bullshit?”

“Oh no, hypnotherapy is quite legitimate,” said Dr Amery. She was a grey-haired woman of maybe 50, a little severe but not unfriendly. “It’s used to treat certain conditions or help people break harmful habits. The National Health Service accepts that. But it doesn’t pay for it, and warns you should select a hypnotherapist with care. Also hypnotherapy is contraindicated if you have psychosis or some types of personality disorder.”

“So maybe Featherstone should not have been ‘put under’ at all?” said Jake.

“No, perhaps not, if Merriweather was not sure of his medical history,” she replied. “In particular, past-life regression is a specific form of hypnotherapy that seeks to uncover the causes of trauma or behaviours, which it is thought may lie in previous lifetimes. But past-life regression is not recognised by all hypnotherapy professionals. It can worsen certain psychological conditions and because someone under hypnosis is suggestible, it can implant false ‘memories’ and distress the patient.”

“Wasn’t there a Welsh chap who made a splash regressing subjects? There was a TV programme,” said Peter.

“That’s right. Back in the 1970s,” said Dr Amery. “It was something of a sensation at the time. He was a serious hypnotherapist who wanted to treat people. But many critics ascribed the tapes to cryptomnesia.”

Peter looked at his notes. “Featherstone isn’t the only patient of Merriweather’s who’s been talking of suing. There was that bloke who runs a chain of wholesale butchers.”

“Ah yes,” said Bill the Brief. “Charlie Mayhew. Charlie’s Country Meats. Big supplier to the supermarkets. I defended him a few years ago. Multiple animal welfare violations. Alleged, I should say. What was he doing at a hypnotherapist’s, anyway?”

“He hoped Merriweather would help him stop drinking,” said Peter. “Hypnotherapy’s often used for things like that. You look into people’s lives under hypnosis and find where the negative behaviours come from. Except it didn’t work, did it. Because he reckoned he’d been regressed as a worker in a 19th-century Chicago slaughterhouse. He says he woke up screaming ‘The blood! The blood!’ and he can’t eat meat anymore.”

“Didn’t Upton Sinclair write a famous novel set in the Chicago stockyards?” said Bill the Brief. “Maybe Mayhew had read it and forgotten he’d done so? Cryptomnesia again.”

“That’s the suspicion.” Dr Amery frowned. “But hard to prove. What about the Brighton case?”

“We’re not acting for them,” said Peter. “They won’t talk to us. But we heard about it. In that case the subject ‘remembered’ under hypnosis being beaten to death by ‘her’ husband. But in waking life she was a he and had recently been divorced by his wife, who alleged assault. And quite serious injuries, as I recall.”

“There’s a pattern building up here, isn’t there?” Dr Amery looked thoughtful.

“Still, it all looks like cryptomnesia,” said Peter. “But whatever. If this comes to court, it will be alleged that Stella the Fleet Street Slag, sorry Ms Boggs, has had a psychiatric episode as a result of being regressed for the newspaper. There may be legal implications.”

“This is all a bit weird for me,” said Jake. “Besides, even if I did send Stella to expose this bloke, that doesn’t make us liable, does it? You’d have to prove she suffered harm as a result. Where’s the evidence?”

“The fact that she’s lying in a hospital bed, moaning and gibbering,” said Bill the Brief.

“Jesus,” said Jake.

“And this,” said Peter.

He clicked the remote and the video started to run on the large screen. They saw Stella, lying on a couch, shot from above so that her face was straight to camera; then there was a voice from someone out of shot, presumably Merriweather. It was an old man’s voice, low, soothing, foody.

“Stella, you are descending a staircase,” said the Voice. “At its foot is a place of peace. Relax yourself, and let the world… wash… over you…”

“This is new-age woke bollocks,” said Jake.

“Drift,” said the Voice. “Drift upon the sea.”

Stella’s eyelids fluttered; bit by bit they closed. At length:

“What can you see?” asked the Voice.

Stella, eyes still closed, replied in a strange language.

“Stop here,” said Jake. “Have we run that past anyone? What language is it?”

“We don’t know,” said Peter. “My office sent a clip to a linguist but he didn’t recognise it and sent it on to a philologist.”

“A what?”

“A bloke who studies the origins of, and links between, languages. He reckoned it sounded like Carib, or an archaic Arawakan language from northern South America.”

“Or just Stella having a laugh,” said Jake.

“No. He was sure it was a real dialect of some kind.”

“Well that’s not cryptom-whatsit then, that’s for sure,” said Jake. “’Cos our Stell wouldn’t know an obscure foreign language. She has enough probs just with English normally, be honest with you.”

“Ssh, something’s happening to her,” said Dr Amery. They turned back to the screen. Stella was becoming agitated. She started to moan, and then to shout, and to squirm on the couch. The Voice spoke quietly, his words indistinct. After a while she calmed.

“Come back,” said the Voice, “when you are ready. I shall count to five and you will awake, refreshed.”

She did awake but her eyes were staring, and she was sweating.

“What did you see?” asked Merriweather. He sounded concerned for the first time.

“I was at the water’s edge, where the jungle comes down to the sea. The sand was brilliant white and the water deep blue and the trees were full of birds – macaws, parrots? – parakeets.” She blinked. “I was with others. We weren’t wearing much. We did not need to. It was warm.”

“Were you happy?”

“I think so. We were busy. We planted vegetables and yuca, and fished, and the men hunted. We had enough to eat. But then things went wrong.”

“What went wrong?”

Columbus greeted by Arawak Indians (Theodor de Bry/Library of Congress)

“The strange canoe came. With the big cross on its sails. And these odd men waded to the beach and one fell to his knees and waved a smaller cross.” She was silent for a moment. “They came to see us. They took some people away. The men they made to work and the women…” She was silent for a moment, and seemed to be breathing heavily. Then: “They wanted gold. Sometimes cloth. Then the sickness came. Fever. We were exhausted and could hardly move. Our heads hurt, and our backs. Vomit. Then red spots. Then blisters full of pus. We died.”

Eyes wide, she was looking at the camera yet did not see it. Then she screamed. The sound pierced the room. Bill the Brief sat ramrod-straight, rigid; Peter covered his ears; Dr Amery her eyes. The screams continued. Merriweather could be heard trying to calm her.

“Stop it! Stop the tape now!” yelled Jake. He grabbed the remote from Peter but instead of stop, he pressed pause and Stella’s frozen face filled the enormous screen, a distorted rictus of horror and terror. After a moment Dr Amery took the remote and put the screen to sleep.

“Smallpox,” she said. “Stella described smallpox.”

*

The next morning, the weekly editorial conference was underway around the same table.

“Dammit, we need fresh new features pages,” Jake was saying. “I need ideas from you buggers.”

“Wildlife?” ventured someone. “Cute creatures?”

“We could tag an otter and follow it week by week,” said someone else.

“You can’t interview an otter,” said Jake, who’d had enough mustelids for one week. “Can’t we uncover people-smuggling in Parliament or something?”

“When’s Stella the Slag back?” asked the art editor.

“God knows,” said Jake. He looked troubled. Then he brightened.

“I got it, guys. I got it. This past-life regression thing. Why don’t we put someone through it every week?”

“Great,” said the chief sub. “But you’re gonna need volunteers.”

Michelle swayed in with Jake’s coffee.

“Michelle,” said Jake. “Would you like a reporting assignment?”

“Oh yeah!” Her eyes opened wide. She nearly spilled the coffee.

“Jake,” said the art editor, “are you sure this is a good idea?”

When they’d all gone Jake paused to drink his coffee. On the table was a proof from the previous week, a double-page spread with Stella’s last feature. There was a picture of an expensive SUV outside a hotel in some African city and another of two elegant Nigerian fashion models. Third World, Stop Your Whining, read the headline. Colonialism did you no harm. Your Countries Are Fine.

Stella, thought Jake, you were the best.

Hypnotherapy is a legitimate form of treatment that can be helpful to some individuals. Not all patients are suitable and in Britain the NHS warns against it if you have psychosis or some types of personality disorder. It also recommends selecting a hypnotherapist with care through a body such as the National Counselling & Psychotherapy Society (NCPS) or the National Hypnotherapy Society (HS). Past-life regression is a specific form of hypnotherapy and Is not recognised by all professionals. For further information, see Willin, M. (2016): Past Life Regression in Psi Encyclopedia  (London: The Society for Psychical Research). It is available online here.

More short fiction from Mike:

A Train Journey When one's sister comes to visit
Time after Time When you have to tell the children
Fashion Subversion. With style
A Time of Darkness It doesn't repeat. But it rhymes
Another Time A tear in the fabric
Evolution The world is turning
When Time Stands Still A hurricane lashes Pershing Square
A Man For All Seasons Net zero.The Stranger's Bar. And a three-line whip
A History Lesson Why do we study it?
Parallel Worlds Heat pumps and lentils. And a nice glass of Marsala
The Creatives Meeting a tech bro
Homecoming A sort of love story
Solitude A Cold War memory
Rhodri Hactonby's Maps A question of social geography
Hiraeth A yearning…
Strange Places A spirit in the sky 
A Sideways Journey Things might have been different
Displaced Encounter on E94th Street
Belonging Do you? Where?
Leaving Home A house has memories

Mike is now also on Substack at https://mikerobbinswrites.substack.com/

Mike Robbins’s latest book, On the Rim of the Sea, is now 
available as a paperback or ebook. More details here.

Tuesday, 14 October 2025

Flash fiction: A Train Journey

One’s sister comes to visit

“I say, my man,” said Desmond. “When will the 4.10 from Worcester arrive?”

“About 4.10, sir,” said the porter. He ambled off down the platform, scratching his armpit.

“Dammit. Everyone’s so unhelpful nowadays,” said Desmond.

“Darling, do sit down.” Daisy guided him to the nearest bench. “You know what the doctor said about not stretching the wound.”

He was about to say something rude about the doctor in reply, but decided to enjoy the afternoon instead. It was an early-summer afternoon with not a cloud in the sky. Here and there a swallow flitted. The sole other sign of activity was a small grimy tank engine that had steam up but seemed disinclined to do anything with it.

Édouard Vuillard (1868-1940), Woman in a Blue Cloche Hat (c1930)

At length a plume of smoke and steam appeared on the horizon. The 4.10 arrival from Worcester Shrub Hill approached with a loud, self-important whistle, the engine’s green livery resplendent in the sunshine. It hissed to a halt; few people got off. “There she is!” said Daisy. Desmond’s sister stepped slowly down. She carried The Times and The Sketch, but neither looked read. Her cloche hat was pulled down rather low across her brow, but he could see a livid bruise around her eye and on her cheekbone.

“Dammit, he’s given her a shiner,” he whispered.

The porter brought her luggage from the guard’s van on a handcart. To Desmond’s surprise, there were several cases and a steamer trunk; he realised that she expected to stay for some time. He tipped the porter a florin, and kissed his sister on the cheek.

Then there was a sharp pain from the wound in his leg. “Would you mind if I sit down? Just for a minute,” he said. He sank back onto the bench. There was a loud hiss and the pulsing of steam as the train left the station. The quiet of the summer afternoon returned.

“Did you have a good journey, darling?” Daisy was asking. She spoke quickly, and was brittle. “You must be tired. We’ll go straight home. It’s a lovely afternoon, isn’t it. Cook is laying the tea in the garden and we can – “

Her husband interrupted her. “What on earth has happened, my dear?” he asked his sister.

“He hit me. He was drunk,” she replied.

“The bounder!” he exclaimed.

“Not really,” she said. “I mean, none of you are all right any more, are you?”

“No,” he said. “No, I suppose not.”

“It’s all right, dear,” said his wife. ”It’s all right.” She sat down beside him. “Let’s go home for tea. Cook’s done a lovely Victoria sponge and we’ve got a saddle of lamb for dinner.”

He felt the soft kid leather of her glove close around his hand.


More short fiction from Mike:

Remembered Time The past is a dangerous place
Time after Time When you have to tell the children
Fashion Subversion. With style
A Time of Darkness It doesn't repeat. But it rhymes
Another Time A tear in the fabric
Evolution The world is turning
When Time Stands Still A hurricane lashes Pershing Square
A Man For All Seasons Net zero.The Stranger's Bar. And a three-line whip
A History Lesson Why do we study it?
Parallel Worlds Heat pumps and lentils. And a nice glass of Marsala
The Creatives Meeting a tech bro
Homecoming A sort of love story
Solitude A Cold War memory
Rhodri Hactonby's Maps A question of social geography
Hiraeth A yearning…
Strange Places A spirit in the sky 
A Sideways Journey Things might have been different
Displaced Encounter on E94th Street
Belonging Do you? Where?
Leaving Home A house has memories

Mike is now also on Substack at https://mikerobbinswrites.substack.com/

Mike Robbins’s latest book, On the Rim of the Sea, is now 
available as a paperback or ebook. More details here.


Saturday, 20 September 2025

Flash fiction: Time After Time

When you have to warn the children

John heard the clack of heels as she came down the stairs. He stood to open the wooden door at the bottom of them. “Mind your head,” he said. She ducked as she stepped out into the living room. “I’m sorry, a 17th-century cottage isn’t really practical at a time like this, is it.”

“Not terribly.”

“How are things?”

“Well, I think you know. I’ve just spoken to your daughter.” She was efficient, bloodless. “Jess is your daughter? Or daughter-in-law?”

“Daughter.” John made as if to escort her to the door, but: “I’ll see myself out, don’t worry.” She stalked down the drive to a clinical white Audi.

Jess was coming down now. “Did she say anything useful?” he asked her.

She shook her head. “Not really. Just checked the IV drips and everything. She said, 48 hours at most. So it could be today. Any time really.” Her eyes had dark rings. He could hear the day nurse clumping around above.

Then an argument erupted in the dining room.

“Give it here! It’s mine!”

“No it isn’t! Nanny gave it me!”

“Liar! Liar! Pants on fire!”

She strode to the door of the dining room and he heard her yell, “Shut up! Both of you! Just SHUT UP!” She half-fell back into the living room. “God almighty, the pair of you!”

John peered into the dining-room to see the two of them sitting on the floor and staring at the door open-mouthed. The toy car they’d been arguing about was upside-down on the carpet.

He glanced outside and saw that the rain had stopped and there were cracks in the clouds.

Chris Morgan/Creative Commons

“Go and get your welly-boots,” he said. “We’ll go down to the river and give Mum some peace.”

“Thanks Dad. For pity’s sake get them out of my hair for an hour or two,” she said.

“They’ve been cooped up a bit,” he said.

“And Dad… I’ve done nothing to prepare them, really. Can you try and talk to them? I’m sorry.”

“I’ll try.”

So he chivvied them out of the house, down the street past the church hall and left into the bridleway that led down to the water meadows. The rain clouds had mostly cleared away and the patches of blue were spreading, but the ground was soft underfoot and there were lots of puddles and the children jumped in them, trying to splash each other. Soon Paul jumped into an especially deep puddle that seemed to have contained cow dung. The resulting slurry spread over his cords and his sister’s jeans. “Ow!” she cried. “You beast!” She was about to begin a run-up to a puddle of her own when John intervened. “Stop that, Ellen,” he said, his tone a little sharp. ”Don’t make more work for Mummy. Not now.”


He caught them both by the arms and pulled them towards him. “Do you know what kind of path this is?”

“Dad said once it’s called a hollow way,” said Paul.

“That’s right. Look to either side. The hedges are very high, aren’t they? And the fields are above the level of the path. Do you know why that is?”

“It’s because lots of people came down here for years and years and years,” said Ellen.

“A thousand years,” he said. “Since before the Normans. Peasants with their simple tools and later with their ponies and then with the great shire horses. We saw one of those, didn’t we? At the County Show last year.”

“It was HUGE, wasn’t it, Grandad,” said Paul. “Its hooves were like – like Mars landers.”

He thought about this. Yes, I see the analogy, he thought, then had a vision of a Suffolk Punch descending slowly to the surface of the Red Planet, whinnying quietly. Out loud he said:

“I wonder how many people have walked down this hollow way before us. Did you know that the world’s population is 8 billion? But about 117 billion of us have walked the earth? That means 109 billion people have gone before us. So for everyone alive today, 13 have passed before.”

“Wow,” said Paul. “I wonder what happened to them all?”

Geoff Charles/National Museum of Wales

“Well, they’ve died.” John paused for a moment, then said: “Do you think they’re somewhere watching us? After all, they came down here time after time after time for ten centuries or more. They marched up here to go to Waterloo, the Transvaal, Passchendaele and Agincourt. Can they really just have gone away?”

“Has Barker just gone away, Grandad?” asked Ellen.

“I think he’s in dog heaven, dear,” said her grandad. “I expect he’s chasing lots and lots of rabbits.”

“But if that’s dog heaven, isn’t it also rabbit hell?” she said, wide-eyed.

“Not if the rabbits are in on it,” said Paul. “He never caught one, anyway. Or a squirrel. Of course, we do know Barker’s dead, don’t we? I mean, we never saw his body. Dad just lifted him into the hatchback ’cos his back legs didn’t work anymore, Barkers not Dad’s, then he didn’t come back from the vet’s.” He thought for a moment. “Have you ever seen a body, Grandad?”

“Yes,” said John. “When I was in the Army.”

“Ooooh,” said Ellen. “Where was that?”

“In Northern Ireland,” he replied.

“What did it look like?” she asked.

“Not very nice,” he said. He patted her on the back. “Wars aren’t very nice, you see.”

“I bet that’s what’ll happen to Dad,” said Paul. “The doctor’ll put him in the boot and drive him off to the vet.”

“That’s horrible,” said Ellen, and started crying. She was pummelling her brother with her fists and he was laughing. “Off to the vet! Off to the vet!” he said.

“Paul,” said John, “that’s enough. Ellen, come here. Have you got a hanky? You haven’t have you?” He dabbed her tears with his own handkerchief.

“Is Nanny in heaven, then, Grandad?” asked Paul.

“Oh yes, I think so,” he said, after just a second’s hesitation. “I expect she’s sitting with Great-Aunty Mavis now, and they’re complaining about my habits. And I bet they’re drinking lots of sherry.”

“Does everyone believe in heaven though,” said Paul, frowning. “Mrs D came to tea once and said there’s no hell either and it was all silly nonsense to frighten people and make them give the Church lots of money.”

There is a hell, thought John, and it’s tea with Mrs D. Out loud he said:

“Lots of people believe in different things. Some religions believe in reincarnation.”

They had come to the end of the lane and Ellen was climbing the gate into the water meadow beyond. “Ellen, climb near the hinge,” he called out. “You’ll put less strain on it.” She dropped down onto the other side. Together they walked across the water meadow, lumpy and rough with thistles.

“Reincarnation’s when people come back as someone else, isn’t it?” said Paul.

“Sort of,” he replied. “Different faiths see it in different ways. To Buddhist people sometimes, you don’t exactly die but your spirit merges back into a big life force. Other people do believe you can come back though, and if you’ve been good you’re something nice and if you’ve been bad you might be a dung beetle.”

“Paul’ll be a dung beetle,” said Ellen. “Not that he’d smell any better.”

“I bet you’d be a rat or something,” said Paul. “A plague rat. Anyway, I shan’t be a dung beetle. I’m going to go back in time and be a Goth, and I shall sack Rome.”

“A Goth?” Ellen wrinkled up her nose. “Like Dina from the Old Rectory? With black lipstick and that funny nail through her nose.” She frowned as she tried to imagine Dina with a sword, hacking away at slaves in togas.

“Not that kind of Goth, silly.” He looked at his grandad. “They were big warriors, weren’t they, with long pigtails and lots of armour.”

John was about to answer this but his phone vibrated. He knew what the message was before he checked. He didn’t say anything for a moment.

“Grandad?” said Ellen.

“We’d better go home now,” he said.

He crouched down in front of them. “Listen, you two. The world is changing, every moment of every day, and people enter it and they leave it, and we don’t know what happens to them but we know it’s nothing bad. Those of us who stay, we feel sad but we’ll be happy tomorrow. And one day someone will walk along the hollow way and wonder who we were, and it’s all right. Do you understand?”

“I think so,” said Paul.

“Come on then,” he said, but before they left the water meadow he turned and looked back across the tussocky grass at the river beyond. The sky was more blue now and the sun shone between grey clouds that had brilliant white edges; the river, more a stream really, was lined with trees and the raindrops still glistened on the leaves, caught in the afternoon sun. There were oaks, and here and there a young wych elm, fighting back after the disease that had devastated them when he was a young man. I imagined we’d never see them again, he thought. I suppose everything changes; everything goes but then it comes back – yes, like people, time after time after time.


More flash fiction from Mike:

Remembered Time The past is a dangerous place
A Train Journey One's sister comes to visit
Fashion Subversion. With style
A Time of Darkness It doesn't repeat. But it rhymes
Another Time A tear in the fabric
Evolution The world is turning
When Time Stands Still A hurricane lashes Pershing Square
A Man For All Seasons Net zero.The Stranger's Bar. And a three-line whip
A History Lesson Why do we study it?
Parallel Worlds Heat pumps and lentils. And a nice glass of Marsala
The Creatives Meeting a tech bro
Homecoming A sort of love story
Solitude A Cold War memory
Rhodri Hactonby's Maps A question of social geography
Hiraeth A yearning…
Strange Places A spirit in the sky 
A Sideways Journey Things might have been different
Displaced Encounter on E94th Street
Belonging Do you? Where?
Leaving Home A house has memories

Mike is now also on Substack at https://mikerobbinswrites.substack.com/

Mike Robbins’s latest book, On the Rim of the Sea, is now 
available as a paperback or ebook. More details here.

Saturday, 30 August 2025

Flash fiction: Fashion

Subversion. With style 

“Are you sure about this, Juliette?” said Mila. She worried her hair with one hand and bent her pencil with the other. The pencil snapped and the two halves fell on the floor. “Oh shit,” she said, and bent to retrieve them.

“Quite sure,” replied the Dean. “Let him see that we’re not a hotbed of subversion.”

“But we are,” said Brian.

“Well just for that one day, we won’t be, OK?” The Dean, Juliette, fiddled with the mouse of her laptop; there was a large TV in the corner of the Senior Common Room and she was linked to it over the WiFi, but this almost never worked first time and she was mildly surprised to see the beginning of the video she had cued up, a recording from a recent news programme on the regional BBC channel. “I suggest we take him to Mila’s class and he can see that the History of Art in Society course is taught to high standards. Then he can go to Sculpture in History and see what Brian’s students are up to.”

A TV studio appeared on screen. It was a morning chat show.

“And then we can take him to Patrick’s fashion lecture,” said Juliette.

There was a sound from the corner of the room, a sort of “Nrrrgh” followed by a grunt. Patrick was sprawled in a collapsing old armchair, his long limbs draped where they’d fallen when he sank into it at the end of the morning’s teaching.

A Girl with a Mirror, an Allegory of Profane Love (1627). 

Paulus Moreelse (1571-1638) Fitzwilliam Museum, Cambridge


“Listen to what this Headdick man says,” said Juliette.

“Are our universities and colleges serving us well?” said the presenter on the screen, her lip gloss glistening in the studio lights. “Bancaster North’s MP, Tony Headdick, doesn’t think so. He has launched an attack on Bancaster School of Art and Design for what he calls ‘woke nonsense’. Good morning, Tony.”

“Good morning,” said Headdick, frowning gravely.

“Now, Tony, what exactly is your complaint?”

“Apart from the lecturers, as well as students, with pink and green hair?” said Headdick. He was a thickset man in his 50s, not tall, with a stubbly chin and bushy eyebrows; he had a nasal rainforest. His gaze darted around the studio. “I want to understand why they teach so little that is best about Britain, and England, and encourage students to believe the worst about us all the time. And why don’t they teach good art? All this silly woke nonsense.”

“I don’t think Patrick is woke,” said Brian. “He appears to have gone to sleep.” He poked Patrick’s leg with his foot.

“I am woke,” said Patrick. “Where did they find this pillock? I hope I never meet him.”

“You’re going to,” said Juliette. “He’s visiting on Tuesday and he’s going to sit in on some of your teaching.”

“Juliette, are you sure that’s a good idea?” said Mila again. She reached for her coffee mug, missed and spilled lukewarm coffee on the carpet. “Oh shit,” she said.

*

The following Tuesday Juliette stood on the pavement at the north end of the pedestrian footbridge over the River Ban, which flowed through Bancaster’s city centre and past the Faculty building. She was waiting for Headdick, who was late. She was tired; she had been awake overnight, to cover for a carer who could not come. Her head hurt a little and her eyelids were heavy.

At length a black Range Rover drew up and disgorged Headdick. He got out of the back seat looking very much as he had on TV, although his nasal hair had grown slightly. He was followed by Councillor Clark, the leader of his party group on the City Council, a small man in a cheap suit. They saw a fairly tall, slim woman of about 40 with honey-blonde hair drawn back across her scalp to a ponytail, secured by a black velvet ribbon; she was subtly made up and wore a trim-fitting black wool suit and black strapped sandals with a moderate stiletto heel. She had a string of pearls and matching earrings.

“Bloody hell, is that the Dean,” said Clark in a stage whisper. “Phwoarr, I wouldn’t mind, eh?”

“Neither would I but she’s probably a lezzer,” said Headdick. “Anyway, better be polite, eh.” He advanced with hand outstretched. “Tony Headdick,” he grunted.

“Juliette Bouchard,” she replied, and took his hand. “I am the Dean of the Faculty of Art and Design. I am delighted to meet you.”

“Bouchard?” said Headdick. “I can’t place your accent. Are you English?”

“No, I am from Montreal. My mother is anglophone; my father was a French speaker, but I studied at McGill.”

Headdick frowned. “There were no English applicants for the job?”

“I am sure there were,” she replied. “Selection boards for this type of post want a very specific skillset, and may seek it abroad. Anyway, please do come with me.”

They crossed the footbridge over the River Ban, which caught the morning sunlight; the willows hung in a rich curtain above the water and the Victorian mass of the School, a former mill, was reflected in the slow waters, along with the odd white cloud from the early-autumn sky. It was a beautiful morning but Juliette felt uneasy, and remembered, the day before, that she had walked across this bridge and seen Brian and Patrick sitting on the benches by the river in close conversation with several students. One of them was a beautiful dark-skinned young woman called Shirl. She had large breasts. Something told Juliette that this might be important.

Out loud she said: “May I take you for coffee in the Senior Common Room before we go round the classes?” Councillor Clark seemed about to accept but Headdick brusquely refused.

“Then I might as well take you to Mila’s History of Art in Society class.”

Headdick harrumphed at the word ‘Society’. He followed Juliette down the corridor, noting her long legs and slim, graceful hips.

She knocked on a studded oak door and pushed it open. Mila’s students were seated in a semicircle around her. The walls were hung with carefully spaced posters and reproductions. On one wall was a large poster advertising an exhibition called Women’s Images of Men at the Institute of Contemporary Arts some decades earlier. Mila herself stood by a large flat screen hung on the end wall. She was thirtyish, small, and pretty with a large nose stud, a cheek piercing and pink hair, and wore dungarees. Headdick stiffened at the sight of her. Clark looked at her breasts. “Hello,” she smiled, “I’m Mila Dalmaans.”

Headdick grunted. He seemed disinclined to take the hand that Mila half-offered him.

“Where are you from?” he asked.

“Utrecht,” she said, and smiled again.

Headdick turned to Juliette. “Do you ever recruit in England?” he asked.

“Mila is a noted writer and researcher on art and feminism,” said Juliette. “Her publications record is stellar, and fits our curriculum well. We were lucky to get her.” She turned to Mila. “Please do continue.”

Mila turned back to the screen; she had an LED pointer in her hand. She clicked on to the next slide and there was a painting of a woman in a factory, before a long machine, lifting a spool off its frame. The woman wore a long grey dress. Her face was tired and her feet were bare.

“Anyone tell me something about this picture?” she asked. There was silence for a moment and then someone said, “Gouache. It’s early 20th century, isn’t it?”

“It is. The artist may surprise you. It’s the feminist campaigner Sylvia Pankhurst,” said Mila. A wave of interest went through the room. “We do not think of her as an artist but she was; she trained at the Royal College of Art and might have pursued it as a career. From what she wrote later, she felt it would have been – how shall I put it – an indulgence to do so. Life, she felt, had a harder edge. But I wonder if she was right.” 

She waved her arm at the screen. 

“The woman is changing a bobbin in a Glasgow cotton mill. It is from a series she painted there and in the Potteries in 1907, Women Workers of England. It was done for the Women’s Social and Political Union, a suffragist and social campaigning body set up by her mother Emmeline and sister Christabel.”

Juliette sensed Headdick tensing beside her.

Sylvia Pankhurst (1882-1960): Glasgow Cotton
Spinning Mill: Changing the Bobbin (
1907). Tate Gallery

Mila went on,  “Pankhurst would later describe ‘the almost deafening noise of the machinery and the oppressive heat’ in the Glasgow cotton mills, which was ‘so hot and airless that I fainted within an hour.’ Much later, in the late 1930s, she contributed a chapter to Margot Asquith’s anthology Myself When Young, in which a number of prominent women talked of their early lives and dreams. Remembering her journey to the Potteries in 1907, she wrote: ‘What a grey desolation, an utter neglect of human life. The elementary decencies of housing and sanitation were all defied.’” 

She turned back to the group. 

“Pankhurst could have used art as a political weapon, but she did not. The tension between art and politics remained. In Myself when Young she wrote that the First World War brought great hardship to women in the East End as their men went to war.” Mila glanced at her notes. “’Little families were rendered destitute,’ she wrote. ‘I saw starvation look at me from patient eyes. I knew then that I should never return to my art.’ It seems she never did, and today Sylvia Pankhurst is remembered as an activist, not an artist.”

Juliette became aware that Headdick was making a sort of spluttering sound, like a motor succumbing to fuel starvation. “I must protest,” he rasped. “This is nothing more than socialist propaganda.”

“It’s history, isn’t it?” said one of the students with an innocent air.

“Those men who left their families behind were damn well doing their duty, fighting for King and Country,” Headdick said, in what was not quite a shout.

“Then the poverty they left behind did not matter?”

“I did not say that.”

“Then what were you saying?” Mila turned back to the screen and raised the pointer. “Anyway, I should like to show you a picture of Sylvia. It was taken around 1911.” A sepia portrait appeared of a woman with large, liquid eyes and a commanding gaze. Clark went a little weak at the knees.

“My goodness,” he said, “she was rather beautiful.”

“You can’t say that here,” said Headdick. “They’re all woke. They’ll call you a sexist pig.”

“Well actually,” said Mila, “I too find that portrait so compelling – as a gay woman – well, actually I’m sort of bi…“

“Oooh, Mila,” said one of the students. “I didn’t know you leaned both ways. I do too.”

“Do you?” said Mila. She dropped the pointer device. ”Oh shit.”

“I’ve heard enough,” said Headdick. He pulled the door open with a savage gesture but did not realise it was spring-loaded; as he stormed through the doorway the heavy oak door sprang back and caught him a vicious blow on the shoulder. “Dammit,” he yelled and went on into the corridor without holding the door for Councillor Clark, who followed him but turned for a moment to look wistfully at the sepia face on the screen that stared back across a century with a mix of love, command, contempt and compassion.

*

Headdick was persuaded to stay. “You really must see one or two more lectures, and have a rounded view,” said Juliette. Her urbanity and warmth prevailed although she did not feel as confident as she appeared; God, she thought, I hope Brian’s not preaching sedition today.

She pushed open the door of his lecture room to find Module II, Lecture III of Sculpture in History in full swing. The large room was fairly dark; a number of reproduction sculptures stood around, mostly small. Brian was holding one and showing it to his class. “And this is the Roman one with the Bernini mattress,” he was saying. Oh, thank God, the classics, thought Juliette.

“Mr Headdick,” she said out loud, “Mr Clark, I would like you to meet Brian O’Flaherty.”

“Top of the morning to you,” said Brian. He was short, wide and muscular with a jet-black beard and piercing blue eyes.

Headdick turned to Juliette. “Do you really have no English teaching staff at all?” he demanded.

“Brian is from County Fermanagh,” she replied. “It is in the United Kingdom.”

“Though actually,” Brian began, “I’m an Ir – “

“Do please continue,” said Juliette smoothly. “We don’t want to interrupt you.”

“Indeed.” Brian turned back to his class and held up a small reproduction sculpture; a large picture of it appeared on the screen behind him. “We don’t know its origin for sure but the figure is thought to be a Roman copy of a work by the second century BCE Greek sculptor Polycles. It’s generally called the Sleeping Hermaphroditus.”

Juliette felt a chill in her stomach.

“In ancient methodology, Hermaphroditus was born a boy,” said Brian. “But as a result of an attempted rape by the nymph Salmacis, he became what was traditionally called a hermaphrodite.”

“You mean he was trans?” asked one of the students.

“Not exactly. He, or she, had sexual characteristics that defied binary gender definition. Today we would probably prefer the term intersex, as hermaphrodite is regarded as offensive by some.”

Juliette held her head in her hand for a second or two. She could feel Headdick tensing up beside her again and was sure he had growled like a mastiff. Clark was staring open-mouthed at a student with a low-cut top.

“Why am I talking of this? Well, it is a good place to start on the role of androgyny in art history,” said Brian. “It has always reflected the ambivalence that society has always had over binary sexuality. This goes back to the depiction of Queen Hatsheput, who shared the Egyptian throne in the 15th century BCE. In fact it goes further; we know that in Sumeria, the priests of the goddess Inanna adopted female roles, and we think they had sex with other men. Today’s changing gender roles are nothing new and sculpture reflects that.”

“For Heaven’s sake,” muttered Headdick. He stood up. “What are you teaching here? Subversion, sexual ambivalence?”

Brian looked at him, quite unflustered.

“Art at its best reflects the world as it is, not as we somehow feel it should be, Mr Headdick,” he replied. “It makes no judgement. It is a mirror. It tells us that gender fluidity, like so much else, is as old as the species itself.”

“I’ve heard enough,” Headdick said once again. “Ms – er – Bouchard, is there anything else you wish me to see? I must warn you that my report to the City Council will be negative.”

You’re not even on the Council, she thought. Councillor Clark was, but wasn’t listening; he was casting a backward glance at the student in the low-cut top. Then he hurried behind.

*

They joined Patrick’s lecture halfway through. He was more formal; the students sat on benches and he stood on a dais at the bottom of the theatre beside the large screen, changing the slides now and then with a laptop on the table beside him. He looked round as the door behind him opened and Juliette stepped in. Headdick looked coldly at the very tall black man with the dreadlocks.

“Where is this one from?” he asked Juliette. “Jamaica?”

“Streatham,” said Patrick. “Do sit down.” He waited a moment while the three arranged themselves in the front bench, which was empty – as everyone knows, there is a quirk of crowd dynamics that stops people from sitting at the front.

“Delighted you could join us,” he said politely. “I am teaching one of the core modules for the second-year Art and Design course. We look at fashion and how it reflects the world around us, the demands it makes upon us and the resources it consumes. Many of our students will work in the rag trade later, and it is important for them to understand all this.”

Headdick emitted a trademark grunt. Clark’s gaze was fixed on a young woman sitting near the front. She was very beautiful. Also, she had large breasts.

Juliette noticed her too. She felt uneasy.

Patrick continued his lecture. On his screen was a painting of a young woman in Edwardian dress. Her evening grown tumbled in thick layers to the carpet; an ornate fringe adorned the bust and elaborate, detailed bands encircled her waist and her hips.

“A word on the picture, or you will wonder who it is,” said Patrick. “It is from 1904 and is a lovely portrait. It is by Byam Shaw, a noted illustrator and painter who was sadly to die in the Spanish flu epidemic, still in his 40s. The subject is his sister-in-law, Isabel Codrington, who was herself an artist; in fact, one of greater importance than Shaw. But that is for another lecture.

“What I wish you to note is the very elaborate nature of her gown. What does it tell us?”

“That she didn’t wear it in the street,” said someone. ”In 1904 it would have trailed in all the horseshit.”

There was a murmur of laughter.

“She’s very pretty,” said someone else.

“She was. Ezra Pound wrote her a love poem,” said Patrick. “It was a lousy poem. But it was Ezra Pound. Anyway, back to the gown. Look at the detailing, the sheer mass of fabric, the amount of stitching that would be required for a gown to be worn perhaps twice or three times a year. She was then married to Paul Konody, an art critic and writer of some distinction and I guess some wealth.”

Isabel Codrington (1904), by
Byam Shaw (1872-1919)

“Clothes are a mark of class then,” said someone. “But didn’t it also mean cheap labour?”

“Exactly. A Lords committee in 1890 found a woman making shirts for which she was paid 7d a dozen; not a lot, even then. She earned a shilling and tuppence – about 6p  – a day; it was a 12-hour day. Every week she paid 2/6d – two shillings and sixpence – for the hire of her sewing machine. Seamstresses and dressmakers worked in poor light with poor ventilation, and often had an inadequate diet. This is what enabled the fashions that we see in a picture such as – “

“Why are you so negative?” said Headdick. The question emerged as a sort of strangled bark. He slammed his fist on the desk in front of him. “None of you have a good thing to say about us, do you? Our culture, our history, our achievements – just all this nasty sneering woke stuff is all you can serve up. And the woman is always better than the man.”

“It’s about the lives people lead, Mr Headdick,” said Patrick.

“Then. Not now. Why dredge up some rant about Victorian poverty now, in the present day?”

“The world,” said Patrick, “does not change.” And Juliette saw – Headdick did not – that he had inclined his head towards Shirl, who stood and slowly began to unbutton her blouse.

“What?” said Headdick. Councillor Clark looked on, his mouth agape; a thin string of saliva stretched between his lips.

Shirl slipped her blouse off her shoulders, revealing a very large bust in a black lacy bra. She grasped the collar of the blouse and made a show of looking at the label.

“Cambodia,” she announced.

The girl next to her was removing her T-shirt. “Bangladesh!” she yelled.

“What about the bra, Shirl?” yelled someone. “Can we undo it and see the label?”

“No you can’t, you cheeky sod,” she said.

Juliette became aware that all the students were stripping off their upper garments and peering at the labels.

“China!” a voice called.

“Vietnam!”

“India!”

“Shanghai!”

“Ethiopia!”

“Nanjing!”

“Now do you understand?” Patrick turned to his guests. “Nothing’s changed. Nothing, not since Isabel Codrington stood there in her finery. The poverty’s still there. We’ve just exported it. That’s all. Do you understand?”

“I’ve heard enough!” shouted Headdick, for the third time that morning. He stood up. The students were waving their tops around, giggling. “Come on,” he snapped at Clark, who was still gazing, transfixed, at Shirl. He marched out of the door behind the dais, Clark rushing to catch up.

Juliette hesitated, then followed them.

“Right, that’s enough,” Patrick boomed at the lecture theatre, and the noise subsided. “Well done, everyone. Good job. Shirl, thank you for deploying substantial assets to the front in this crucial battle.”

Shirl was buttoning her blouse. “I hope you’re going to buy us all a pint for this, you mean git,” she said.

“No. Yes. Well, maybe,” he said. To the room in general, he called, “You lot might as well bugger off to the Kings Head for a pint.”

“Are you coming?” asked Shirl.

“I think,” he said, “that I had better face the Dean.”

*

Juliette had followed the two men down the corridor but they had not noticed. She had nearly caught up with them when she heard Councillor Clark say:

“What a pity. Such a lovely woman.”

“What, the dark one with the big knockers?”

“No. Well, her as well. But that Juliette woman. I wouldn’t mind giving her one.”

Headdick got his phone out to summon the black Range Rover. “I wonder if anyone does,” he said. “Whether there’s a husband or a boyfriend, I mean. I reckon her husband needs to give her a good shagging more often.”

“Mr Headdick,” said a voice behind them. Startled, Headdick turned to see Juliette standing right behind him. “My husband,” she said, “had a motorcycle accident. He is a paraplegic.”

“Oh,” he said.

“Thank you so much for coming,” she continued. “It has been so nice to meet you. I hope you have enjoyed your visit to our college.” She held her hand out and both men took it briefly. Then they turned and left the building.

She stood and watched them go for a moment, then returned to the lecture theatre. She found herself against the tide as knots of Patrick’s students, all laughing, hurried for the King’s Head. By the time she reached the theatre it was empty but for Patrick, slumped in a chair on the dais, his long limbs strewn awkwardly in front of him. She stood halfway down the theatre and looked at him.

“Why?” she said.

“What.”

“Why make mischief like that. You. Brian. Even Mila, God bless her, though she didn’t mean to.”

“You know why,” he said.

He sat up straight, thought for a moment then  said: “I’m sorry, Juliette. We weren’t trying to hurt you. Bryan is from the border. He grew up during the Troubles, wondering when the Prots would get him or beat him up, or his own side if he didn’t join ‘the boys’. I grew up in South London. When I was 12 some kids from my school cornered me on my way home and beat me with a brick. I had concussion. They were crying, ‘Hit the black kid. Hit the n******’. ‘Cos that’s what they do, see. That’s what we learned. Bullies always come back. Never kneel down or they’ll be back. You must make an ass of them. Do you see?”

They said nothing for a minute or so.

He looked at her. “How’s Don?”

“He has a chest infection. They’re drip-feeding him antibiotics. We have to move him in the night to prevent his chest from getting congested.”

She sat down on one of the benches. “He was asking after you. When he’s better, he’d love to see you. He likes to argue with you.”

Patrick smiled. “I’d like that too. I’ll come.”

She smiled back, a little uncertain.

“We’ll be all right, Juliette. They won’t be back.”

“If they are,” she said, “I’ll deal with them. As best I can.”

She stood and left the theatre. As she did so she passed under a skylight; the midday sun lit the motes of dust as she walked past, and her hair shone in its rays.


Sylvia Pankhurst, around 1911 (Library of Congress)


More flash fiction from Mike:

Remembered Time The past is a dangerous place
A Train Journey One's sister comes to visit
Time After Time When you have to warn the children
A Time of Darkness It doesn't repeat. But it rhymes
Another Time A tear in the fabric
Evolution The world is turning
When Time Stands Still A hurricane lashes Pershing Square
A Man For All Seasons Net zero.The Stranger's Bar. And a three-line whip
A History Lesson Why do we study it?
Parallel Worlds Heat pumps and lentils. And a nice glass of Marsala
The Creatives Meeting a tech bro
Homecoming A sort of love story
Solitude A Cold War memory
Rhodri Hactonby's Maps A question of social geography
Hiraeth A yearning…
Strange Places A spirit in the sky 
A Sideways Journey Things might have been different
Displaced Encounter on E94th Street
Belonging Do you? Where?
Leaving Home A house has memories

Mike is now also on Substack at https://mikerobbinswrites.substack.com/

Mike Robbins’s latest book, On the Rim of the Sea, is now 
available as a paperback or ebook. More details here.